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A Boy Called Hope
I'm Dan Hope and deep inside my head I keep a list of things I want to come true. For example, I want my sister, Ninja Grace, to go to university at the North Pole and only come back once a year. I want to help Sherlock Holmes solve his most daring mystery yet. And if it could be a zombie mystery, all the more exciting. I want my dog to stop eating the planets and throwing them up on the carpet. And finally, the biggest dream of all, I want my dad to love me. 'This book totally blew me away' Cathy Cassidy
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A Girl Called Hope
Badgers Brook once again provides sanctuary for a family in needMarried life hasn't been easy for Hope Murton – her mother-in-law, Marjorie, is overbearing and critical, and Hope's husband, Ralph, refuses to stand up for himself.Eventually Hope persuades him to move out and to set up a new home at Badgers Brook with their small son, Davy. Soon they are beset by tragedy when a road accident leaves Ralph confined to a wheelchair.He takes the only way out he can think of, leaving Hope destitute.Desperate not to return to her mother-in-law's house, she turns to friends for help, including local trader Peter Bevan.Can Hope overcome all that befalls her, and will she ever find true happiness?The second in the Badgers Brook series, A Girl Called Hope is a gripping tale of post-War life, filled with family and loss, secrets and romance.Perfect for fans of Ellie Dean and Sheila Newberry.
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Rhetorical Feminism and This Thing Called Hope
Rhetoric and feminism have yet to coalesce into a singular recognizable field.In this book, author Cheryl Glenn advances the feminist rhetorical project by introducing a new theory of rhetorical feminism.Clarifying how feminist rhetorical practices have given rise to this innovative approach, Rhetorical Feminism and This Thing Called Hope equips the field with tools for a more expansive and productive dialogue. Glenn’s rhetorical feminism offers an alternative to hegemonic rhetorical histories, theories, and practices articulated in Western culture.This alternative theory engages, addresses, and supports feminist rhetorical practices that include openness, authentic dialogue and deliberation, interrogation of the status quo, collaboration, respect, and progress.Rhetorical feminists establish greater representation and inclusivity of everyday rhetors, disidentification with traditional rhetorical practices, and greater appreciation for alternative means of delivery, including silence and listening.These tenets are supported by a cogent reconceptualization of the traditional rhetorical appeals, situating logos alongside dialogue and understanding, ethos alongside experience, and pathos alongside valued emotion. Threaded throughout the book are discussions of the key features of rhetorical feminism that can be used to negotiate cross-boundary mis/understandings, inform rhetorical theories, advance feminist rhetorical research methods and methodologies, and energize feminist practices within the university.Glenn discusses the power of rhetorical feminism when applied in classrooms, the specific ways it inspires and sustains mentoring, and the ways it supports administrators, especially directors of writing programs.Thus, the innovative theory of rhetorical feminism—a theory rich with tactics and potentially broad applications—opens up a new field of research, theory, and practice at the intersection of rhetoric and feminism.
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Called Back
Rosa Lane brings a necessary, gender-fluid, feminist perspective to the Emily Dickinson table of debate. In bold tribute with a title utilizing the last two words Emily Dickinson wrote, Rosa Lane’s Called Back converses with one of our greatest poets in theatrical monologue—decoding secrets amid the blatant.Evoked by epigraphs selected from Dickinson’s work, Lane’s poems, through her I-speaker, reveal the extraordinary to be found in the ordinary and speak to the struggle of sexual orientation, otherness, and the challenges of living in a Calvinistic socioreligious world of oughts and noughts as evidenced in Dickinson’s poems.From sapphic eroticism and subsequent pangs of nonbelonging to tacking next life as a welcome reprieve, poems in Called Back create a de novo dot-connecting lyrical narrative.
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Called to Protect
For the past year, Chloe St. John has been working as a K-9 cop with her German shepherd partner, Hank.After being dumped by her fiancé for another woman, Chloe has decided that Hank is just about the only male she likes.She's over the whole romance thing and focuses her attention on doing her job. Because a serious case of human trafficking with connections to her missing cousin just landed in her lap. When US Marshall Blake MacCallum's daughter goes missing, he's ordered to kill the judge he's protecting and tell no one about his daughter's disappearance or she will die.Blake races against the clock to rescue his daughter while Chloe and Hank are asked to be a part of the task force assembled to bring down the traffickers.Chloe finds herself attracted to the silent, suffering man, but thanks to her previous bad judgment, she wonders if she can trust him. And can Blake trust himself around this firecracker of a woman?Bestselling author Lynette Eason warns readers to buckle in for a fast and furious ride that will have their hearts pumping from the very start.
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Simon Called Peter
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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You're Called What?
Ice Cream Cone Worm. Monkeyface Prickleback. Pink Fairy Armadillo. You're called WHAT?!Welcome to the Ministry of Silly Animal Names where all the creatures have one thing in common: they want to change their names.A unique and rip-roaringly funny, tongue-twisting story full of weird and wonderful real creatures and facts at the end that will amaze.Written by Kes Gray, the bestselling, award-winning author of Oi Frog! and illustrated with charm and wit by dazzling new talent, Nikki Dyson.
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Town Called Nothing
Laura-Mary Carter's latest solo venture, "Town Called Nothing," is a delightful blend of nostalgic 90s vibes and modern indie rock sensibilities. Known for her work with the acclaimed band Blood Red Shoes, Carter delivers a fresh and exciting sound that showcases her versatility as a musician. From the infectious guitar riffs on tracks like "City Lights" to the dreamy vocals on "Lost in the Woods," Carter effortlessly weaves together elements of grunge, shoegaze, and alternative rock to create a truly unique listening experience. Her lyrics are introspective and poignant, exploring themes of love, loss, and self-discovery with a raw and unapologetic honesty. One standout track is "Ghosts of Yesterday," a haunting ballad that showcases Carter's evocative storytelling abilities. The shimmering guitars and ethereal vocals create a mesmerizing atmosphere that draws the listener into Carter's world, where memories and emotions intertwine in a beautifully melancholic tapestry. Overall, "Town Called Nothing" is a triumph for Laura-Mary Carter, proving that she is a force to be reckoned with in the world of indie music. With its infectious hooks, heartfelt lyrics, and expertly crafted instrumentation, this album is sure to captivate listeners and solidify Carter's reputation as a solo artist to watch. So go ahead, give it a spin and let Laura-Mary Carter take you on a journey to a town where nothing is as it seems.
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