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The Concept of News in Ancient Greek Literature
The concept of news that we have today is not a modern invention, but rather a social and cultural institution that has been passed down to us by the Greeks as a legacy.This concept is only modified by the social, political, and economic conditions that make our society different from theirs.In order to understand what was considered news in Ancient Greece, a lexical study of ???e??? and all of its derivatives attested in a representative corpus of the period spanning from the second millennium BC to the end of the fourth BC has been conducted.This piece of research provides new contributions both to studies in Classics (there are hardly any studies on the transmission of news in Antiquity) and in journalism.This study also reveals an interesting point: the presence of false news – similar to current fake news – in ancient Greek literature, especially in tragedy and historiography when it comes to the use of the derivatives of ???e???.
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Positive Emotions in Early Modern Literature and Culture
What did it mean to be happy in early modern Europe?Positive emotions in early modern literature and culture includes essays that reframe historical understandings of emotional life in the Renaissance, focusing on under-studied feelings such as mirth, solidarity, and tranquillity.Methodologically diverse and interdisciplinary, these essays draw from the history of emotions, affect theory and the contemporary social and cognitive sciences to reveal rich and sustained cultural attention in the early modern period to these positive feelings.The book also highlights culturally distinct negotiations of the problematic binary between what constitutes positive and negative emotions.A comprehensive introduction and afterword open multiple paths for research into the histories of good feeling and their significances for understanding present constructions of happiness and wellbeing. -- .
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Afropolitan Literature as World Literature
African literature has never been more visible than it is today.Whereas Chinua Achebe, Wole Soyinka, and Ngugi wa Thiong’o defined a golden generation of African writers in the 20th century, a new generation of “Afropolitan” writers including Chimamanda Adichie, Teju Cole, Taiye Selasi, and NoViolet Bulawayo have taken the world by storm by snatching up prestigious awards and selling millions of copies of their works.But what is the new, increasingly fashionable and marketable, Afropolitan vision of Africa’s place in the world that they offer?How does it differ from that of previous generations?Why do some dissent? Afropolitanism refuses to reinforce images of Africa in world media as merely poor, war-torn, diseased, and constantly falling into chaos.By complicating the image of Africa as a hapless victim, Afropolitanism focuses on the wide-ranging influence Africa has on the world.However, some have characterized this kind of writing as light, populist fare that panders to Western audiences. Afropolitan Literature as World Literature examines the controversy surrounding Afropolitan literature in light of the unprecedented circulation of culture made possible by globalization, and ultimately argues for expanding its geographic and temporal boundaries.
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Mexican Literature as World Literature
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-AuthorChapter 15 by Carolyn Fornoff is Winner of the 2022 Best Article in the Humanities Award, Latin American Studies Association, MexicoMexican Literature as World Literature is a landmark collection that, for the first time, studies the major interventions of Mexican literature of all genres in world literary circuits from the 16th century forward.This collection features a range of essays in dialogue with major theorists and critics of the concept of world literature.Authors show how the arrival of Spanish conquerors and priests, the work of enlightenment naturalists, the rise of Mexican academies, the culture of the Mexican Revolution, and Mexican neoliberalism have played major roles in the formation of world literary structures.The book features major scholars in Mexican literary studies engaging in the ways in which modernism, counterculture, and extinction have been essential to Mexico’s world literary pursuit, as well as studies of the work of some of Mexico’s most important authors: Sor Juana, Carlos Fuentes, Octavio Paz, and Juan Rulfo, among others.These essays expand and enrich the understanding of Mexican literature as world literature, showing the many significant ways in which Mexico has been a center for world literary circuits.
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Is Russian literature better than German literature?
As an AI language model, I don't have personal opinions. The quality of literature is subjective and depends on individual preferences. Both Russian and German literature have produced influential and impactful works that have made significant contributions to world literature. Russian literature is known for its depth of psychological insight and emotional intensity, while German literature is celebrated for its philosophical and intellectual depth. Ultimately, the value of literature is in the eye of the beholder.
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Is there good literature about Marco Polo?
Yes, there is a wealth of literature about Marco Polo. One of the most famous works is "The Travels of Marco Polo," which is a detailed account of his journey to Asia and the court of Kublai Khan. This book has been widely studied and has had a significant impact on European exploration and understanding of Asia. Additionally, there are many biographies and historical analyses of Marco Polo's life and travels that provide further insight into his adventures and their historical context. Overall, there is a rich body of literature about Marco Polo that offers a deep understanding of his significance in history.
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Is rubble literature the same as post-war literature?
Rubble literature and post-war literature are closely related but not exactly the same. Rubble literature specifically refers to the literary works produced in the immediate aftermath of World War II, often focusing on the physical and emotional devastation caused by the war. Post-war literature, on the other hand, encompasses a broader range of literary works that address the effects of war on society, culture, and individuals in the years following the conflict. While rubble literature is a subset of post-war literature, the latter includes a wider scope of themes and time periods beyond the immediate aftermath of war.
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Is 20th-century literature the same as modern literature?
While 20th-century literature is a part of modern literature, they are not exactly the same. Modern literature encompasses literary works from the late 19th century to the present day, including 20th-century literature. However, 20th-century literature specifically refers to literary works produced between 1900 and 1999. Both periods share some common themes and styles, but they also have distinct characteristics that set them apart.
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Bulgarian Literature as World Literature
Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape.The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces.These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world’s literary repository but also the work of contemporary Bulgarian diaspora authors.Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.
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Turkish Literature as World Literature
Essays covering a broad range of genres and ranging from the late Ottoman era to contemporary literature open the debate on the place of Turkish literature in the globalized literary world.Explorations of the multilingual cosmopolitanism of the Ottoman literary scene are complemented by examples of cross-generational intertextual encounters.The renowned poet Nâzim Hikmet is studied from a variety of angles, while contemporary and popular writers such as Orhan Pamuk and Elif Safak are contextualized.Turkish Literature as World Literature not only fills a significant lacuna in world literary studies but also draws a composite historical, political, and cultural portrait of Turkey in its relations with the broader world.
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Literature and the Public Good : The Literary Agenda
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities.The category of 'the literary' has always been contentious.What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought.It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies.It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated.For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. Rick Rylance addresses the debate over the public value of literary studies in a book which starts from the widely-remarked predicament of the humanities in modern times.By comparison with science, technology, engineering, and mathematics, the humanities can be negatively characterised as at best optional extras; at worst, frivolous and wasteful.Funders and policy-makers can question their value in terms of utility, vocational prospects and intrinsic worth, while journalists and commentators predict extinction. So what is the justification for literature at the present time?Rylance argues that literature's value lies in its enormous public presence and its contribution to the public good.Far from being apologetic for our investment in literature, he argues for its value to all parts of our society from economic productivity to personal and social wellbeing.He examines discussion of literature's public role over time, taking in key moments of self-reflection such as Sir Philip Sidney's 'Defense of Poesy' (1581) and work by John Mill and Ruskin.He reviews current arguments about how culture creates value: from the idea of 'public goods' in economics to the value of reading for social consciousness in cognitive psychology.The book makes strong claims for the importance and urgency of reading literature today.
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Tactics of Hope in Latinx Children's and Young Adult Literature
This important study affirms that Latinx children and young adults are uniquely positioned to change the world.Using Gloria Anzaldúa's theories of conocimiento as a critical lens, the authors examine several literary works including Side by Side / Lado a lado; They Call Me Güero; Land of the Cranes; Efrén Divided; and Gabi, a Girl in Pieces.Using these texts and others, Montaño and Postma-Montaño demonstrate how Latinx literature for young readers reveals the oppressions that affect the everyday lives of Latinx youth in order to destabilize the racist notions that inform them.Whether it is injustices in the agricultural fields, weaponization of deportation and deportability, or forms of exclusion based on gender, ethnicity, and race, the books in this study counter by imagining and then participating in social-justice activism that seeks to transform the world.Ultimately the lessons shared in these books will allow Latinx young people to lead us into a future where equity and belonging are as endemic as they currently are rare.
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Literature or music?
It ultimately depends on personal preference and what one finds more fulfilling. Literature can transport readers to different worlds, evoke emotions, and provoke thought through words and storytelling. On the other hand, music has the power to evoke emotions, create connections, and express feelings through melody and lyrics. Both forms of art have the ability to inspire, entertain, and provide a means of self-expression.
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What is literature?
Literature is a form of written or spoken art that expresses ideas, emotions, and experiences through language. It encompasses a wide range of genres, including poetry, fiction, drama, and non-fiction. Literature allows us to explore different perspectives, cultures, and time periods, and it often reflects the human condition and universal themes. Through literature, we can gain insight into the complexities of the world and the human experience.
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'World Literature Novels'
World literature novels are literary works that have been translated from their original language into multiple languages and have gained recognition and popularity across different cultures and countries. These novels often explore universal themes and human experiences that resonate with readers from diverse backgrounds. They provide a window into different cultures, societies, and historical periods, offering readers the opportunity to gain a deeper understanding of the world. World literature novels also contribute to the enrichment and diversity of literary traditions by showcasing the unique voices and perspectives of authors from around the globe.
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What is the difference between theme literature and motif literature?
Theme literature refers to the central idea or message that the author conveys through the story, while motif literature refers to recurring elements, such as symbols, images, or themes, that contribute to the overall meaning of the work. Themes are broader and more abstract concepts, while motifs are specific and concrete elements that help develop the theme. In essence, themes are the main ideas explored in a work, while motifs are the recurring patterns or symbols that support those ideas.
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