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  • After the Postcolonial Caribbean : Memory, Imagination, Hope
    After the Postcolonial Caribbean : Memory, Imagination, Hope

    'A book of rare beauty’ - Bill Schwarz, Professor at Queen Mary University of LondonAcross the Anglophone Caribbean, the great expectations of independence were never met.From Black Power and Jamaican Democratic Socialism to the Grenada Revolution, the radical currents that once animated the region recede into memory.More than half a century later, the likelihood of radical change appears vanishingly small on the horizon.But what were the twists and turns in the postcolonial journey that brought us here? And is there hope yet for the Caribbean to advance towards more just, democratic and empowering futures?After the Postcolonial Caribbean is structured in two parts, 'Remembering', and 'Imagining.' Author Brian Meeks employs a sometimes autobiographical form, drawing on his own memories and experiences of the radical politics and culture of the Caribbean in the decades following the end of colonialism. And he takes inspiration from the likes of Edna Manley, George Lamming and Stuart Hall in reaching towards a new theoretical framework that might help forge new currents of intellectual and political resistance. Meeks concludes by making the case for reestablishing optimism as a necessary cornerstone for any reemergent progressive movement.

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  • Imagination
    Imagination

    The boundless dreams of childhood are within reach in the enchantingworks of Victor Nizovtsev, such as the painting reproduced on our Imaginationjournal cover.The artist’s stated hope is that his paintings “will givepeople a small taste of their childhood and will inspire their own stories. ”

    Price: 18.99 £ | Shipping*: 3.99 £
  • Imagination!
    Imagination!


    Price: 17.49 £ | Shipping*: 3.99 £
  • Faith, Hope and Poetry : Theology and the Poetic Imagination
    Faith, Hope and Poetry : Theology and the Poetic Imagination

    Faith, Hope and Poetry explores the poetic imagination as a way of knowing; a way of seeing reality more clearly.Presenting a series of critical appreciations of English poetry from Anglo-Saxon times to the present day, Malcolm Guite applies the insights of poetry to contemporary issues and the contribution poetry can make to our religious knowing and the way we 'do theology'.This book is not solely concerned with overtly religious poetry, but attends to the paradoxical ways in which the poetry of doubt and despair also enriches theology.Developing an original analysis and application of the poetic vision of Coleridge, Larkin and Seamus Heaney in the final chapters, Guite builds towards a substantial theology of imagination and provides unique insights into truth that complement and enrich more strictly rational ways of knowing.Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.

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  • Is it positive or just imagination?

    Determining whether something is positive or just imagination depends on the context and individual perspective. If the outcome or result of a situation brings about genuine happiness, growth, or fulfillment, then it can be considered positive. However, if it is solely based on wishful thinking or unrealistic expectations without any tangible evidence or impact, then it may be categorized as just imagination. It is important to critically evaluate the situation and consider the potential consequences before making a judgment.

  • Is it a positive test or imagination?

    Determining whether a test result is positive or a product of imagination depends on the specific context and evidence available. Positive test results are typically backed by data, scientific evidence, or physical symptoms, while imagination refers to thoughts or ideas that are not based on reality. It is important to critically evaluate the source of the information and seek confirmation from reliable sources to distinguish between a positive test and imagination. Consulting with healthcare professionals or experts can help clarify any uncertainties.

  • Is the test positive or just imagination?

    Without more context or information about the specific test in question, it is difficult to determine whether the test result is positive or just imagination. It is important to consider the reliability of the test, the potential for false positives, and any other relevant factors before making a determination. It may be helpful to consult with a medical professional or seek further testing to confirm the result.

  • Is it a positive test or just imagination?

    Determining whether a test result is positive or just imagination depends on various factors such as the reliability of the test, the presence of symptoms, and the individual's medical history. It is important to consult a healthcare professional for an accurate interpretation of test results to avoid any misunderstandings. Imagination can sometimes lead to false perceptions, so it is crucial to rely on concrete evidence and expert opinions when assessing test outcomes.

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  • Active Imagination
    Active Imagination


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  • The Imagination
    The Imagination

    ‘No matter how long I may look at an image, I shall never find anything in it but what I put there.It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul SartreL’Imagination was published in 1936 when Jean-Paul Sartre was thirty years old.Long out of print, this is the first English translation in many years.The Imagination is Sartre’s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy. Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis.Imagination does not involve the perception of ‘mental images’ in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness.He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson.Sartre argues that the ‘classical conception’ is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two.Sartre concludes with an important chapter on Husserl’s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf.Also included is Maurice Merleau-Ponty’s important review of L’Imagination upon its publication in French in 1936. Translated by Kenneth Williford and David Rudrauf.

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  • Criminological Imagination
    Criminological Imagination

    For the last three decades Jock Young's work has had a profound impact on criminology.In this provocative new book, Young rejects much of what criminology has become, criticizing the rigid determinism and rampant positivism that dominate the discipline today.His erudite and entertaining examination of what's gone wrong with criminology draws on a range of research - from urban ethnography to sexology and criminal victimization studies - to illustrate its failings. Young makes a passionate case for a return to criminology's creative and critical potential, partly informed by the new developments in cultural criminology.A late-modern counterpart to C. Wright Mills' classic The Sociological Imagination, this inspirational piece of writing from one of the most brilliant voices in contemporary criminology will command widespread attention.The concluding part of the author's trilogy of influential texts including The Vertigo of Late Modernity and The Exclusive Society, it will be essential reading for anyone who cares about the future of criminology, and the social sciences more generally.

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  • Animal Imagination
    Animal Imagination


    Price: 15.49 £ | Shipping*: 3.99 £
  • How good is your visual imagination?

    As an AI language model, I don't have personal experiences or visual imagination. However, I have been trained on a diverse range of visual and textual data, which allows me to generate descriptions and understand visual concepts. My ability to imagine and describe visuals is based on the information and context provided to me.

  • Is it a positive evaporation line or just imagination?

    It can be difficult to determine whether an evaporation line on a pregnancy test is a positive result or just an evaporation line. Evaporation lines can sometimes appear on tests after the recommended reading time, leading to confusion. To confirm a positive result, it is best to take another test or consult with a healthcare provider. It is important to follow the instructions on the test carefully and read the results within the specified time frame to avoid misinterpretation.

  • What is imagination?

    Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.

  • Was it imagination?

    Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.

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